Watching "Reign Over Me" is slow but rewarding experience. There are too many flaws that prevent this one to be best film of the year. But one important thing that the director, Mike Binder did it right is he fully aware of all problems cannot be solve in its limited time (2 hours+). We completely trust that not only life within the picture is real, but also life beyond the picture is really matters.
The movie shows us two individual men. They were college roommate and after graduation, they went on separate way and never saw each other again. Alan Johnson (Don Cheadle) leads a prefect life as he has decent job (the dentist) and beautiful wife with two lovely daughters. Charlie Fineman (Adam Sandler) had the same perfect life at one point until his beautiful wife and lovely three daughters killed in 9/11. Some years later, Alan accidentally met Charlie on the street of NY, the story of sadness, agony and redemption has just begun.
It's obvious that why people are getting so emotional with 9/11 incident. This is such a delicate territory. So many people have lost their life or their family members in this heart-breaking piece of history. But I think "Reign Over Me" poorly used an incident as emotional-driven tool. 9/11 was brought up but never materialized. In fact, it would be better if the filmmaker never use that incident and turn all his focuses to emphasize on one human loss.
If we really look at the core of this film, there is greatness lies within the story especially for Adam Sandler's character. Charlie Fineman is a grief ridden man who buried his tragic past behind. He cannot talks or let other talk about his late family. He doesn't want to forget his family, but he also doesn't want to remember his family too much. I think Adam Sandler did a marvelous job as Charlie Fineman (by both acting and appearance). His scene in finale with his wife's parents got me tear up. Don Cheadle also gave an impressive (if not memorable) turn as Charlie's friend. Its shame that after a promising start, where I can see some of his trouble lie in emotion, his story was completely disappear in a second half.
The supporting casts are also a major letdown for me. Jada Pinkett Smith (as Alan's wife), Live Tyler (Alan's psychiatrist friend) and especially Saffron Burrows (psychotic woman, whom I think, shown up in a wrong movie) are all wasted. And also an unnecessary courtroom showdown which is seem manipulate and ridiculous (yet, I admit, it works).
Anyway, I can forgive all these flaws because Charlie's story was so well told. "Reign Over Me" is a simple story of friendship and loss that has its heart in the right place. In fact, it has more heart than any other picture of this year so far.
You could have brain tumor by watching this contaminated turd. Nothing in Gentlemen Broncos pays off, it’s incoherent mess, and chock-full of incredibly annoying characters. You will not only loath this movie, but it also makes you want to punch someone who responsible for this abomination in the face.
BloodyMonday Rating:
Fantastic Mr. Fox (2009)
Imagine if Akira got Live-Action treatment by... say Alfonso Cuarón, you know how awesome it might be? That’s what happened to "Fantastic Mr. Fox". Wes Anderson's auteur perfectly captured the quirkiness and blissful tone of the material. Its stop-motion technique might be a little crude and... somewhat unsophisticated, but that's the charm of it. You’ll feel like pop-up book unveiled before your eyes. This is an exceptional animation of the year.
Up in the Air is a blockbuster movie for people who think blockbuster movies are dumb, as it chock full of brilliantly written dialogue, and acting showcase for three talented actors (especially star-making turn by Anna Kendrick). But in the end, there's little to love, not so much story to chew on (plus disappointing third act), and no real connection to the meaning of human interaction as it intended to be.
BloodyMonday Rating:
I Love You, Beth Cooper (2009)
Cliché-ridden plot about a bunch of annoying characters get together in one idiotic circumstance, "I Love You, Beth Cooper" is shameless exploitation & biggest insult to 80s teen flicks. It's like memorizing magic trick from internet, hoping to perform like David Copperfield. Neither sense of wonder nor magic flare happens here. Only good thing is, it makes me wanna cleanse my soul with genuine 80s teen movie night marathon.
BloodyMonday Rating:
Everybody's Fine (2009)
Meh. The movie serious lack of originality & characters development. Only Robert De Niro comes out fine in this schmaltzy, "Lifetime" movie-of-the-week plot.
BloodyMonday Rating:
Paper Heart (2009)
Twee delight... That's only two words I can think of right now.
BloodyMonday Rating:
Adam (2009)
A perfect companion to Mary & Max (one of the best animation of 2009), Adam is star-crossed love story (pun intended) between Adam, Asperger's Syndrome bearer, and Beth, free spirit woman. The picture wouldn’t be this intimate without stunning performance by Hugh Dancy. On the other hand, the lack of depth on why Beth would love someone like Adam, preventing me from wholeheartedly embraces her choice in the end (which is nice & perfect but requires a leap of faith). Otherwise, this is touching romantic film, which putting its feet firmly on the ground, making the world full of hope and seems nicer place to live.
BloodyMonday Rating:
The Invention of Lying (2009)
Expected to be like “Click” or “Yes Man”, where high-concept plot turned into endless gags, with moral lesson (forcefully) shoving down your throat. But "The Invention of Lying" is thinking man’s film. The whole concept is not seeing how first lying man exploits the ability. But it's about him finding the way not to lie, in order to find genuine happiness. Great stuff.
BloodyMonday Rating:
Give ‘Em Hell Malone (2009)
This is one damn frustrating experience. It’s like watching an infant trying to stand up and walk. They would take a few steps then fall their asses. In fact, kiddie film like “Bugsy Malone” has done better job paying a tribute to film noir than this borefest.
BloodyMonday Rating:
Zombieland (2009)
ถ้าอังกฤษมีหนังซอมบี้ฮาแตกอย่าง Shaun of the Dead แล้ว ทำไมอเมริกาจะมีบ้างไม่ได้... Zombieland คือการผสมผสานระหว่างบรรดาหนังซอมบี้เก่าๆ เข้ากับทัศนคติของคนสร้างที่อาจดูหนังแนวนี้มากเกินความจำเป็น จนสามารถสร้างหนังซอมบี้ที่เข้าใจสิ่งที่ตัวเองเป็น และเล่นสนุกไปกับกฏพื้นฐานของซอมบี้ได้อย่างเต็มที่ ทั้งนี้ทั้งนั้นต้องยกความดีให้สี่นักแสดงนำ โดยเฉพาะ วู้ดดี้ ฮาเรลสัน (เขาเกิดมาเพื่อบทนี้) ที่ช่วยกันสร้างมนต์เสน่ห์ ให้กับการเดินทางในโลกไร้มนุษย์ได้อย่างเต็มที่
หนังมีไอเดียกิ๊บเก๋ ทำออกมาได้สนุกสนานสไตล์ซิตคอมอังกฤษ โดยเฉพาะการนำกฏเหล็กต่างๆจากหนังที่เกี่ยวกับการท่องเวลา (ดูเหมือนว่า Back to the Future จะเป็นแรงบรรดาลใจหลัก) มาปู้ยี้ปู้ยำอย่างเมามัน ถึงแม้ว่าตลอดเวลาการรับชมจะให้ความรู้สึก เหมือนตัวเองกำลังดูซีรี่ย์ทางโทรทัศน์ แต่มันก็คือตอนที่ฮาที่สุดของซีซั่น แถมเอฟเฟ็คที่ใช้ก็มีคุณภาพจนคาดไม่ถึง
BloodyMonday Rating:
Looking for Eric (2009)
มีความรู้สึกว่าหนังเรื่องนี้มองโลกในแง่ดีเกินบรรยากาศโดยรวม จริงอยู่ว่าทุกสิ่งทุกอย่างที่ลงเอยด้วยดีในตอนสุดท้ายนั้น สามารถสร้างความสุขและรอยยิ้มให้กับคนดู แต่จากสถานการณ์ในเรื่องและบริบทที่เกิดขึ้นก่อนหน้านี้ มันยากที่จะทำใจเชื่อในสิ่งที่เห็น โดยเฉพาะพล็อตรองเกี่ยวกับปืน ซึ่งถ้าถูกตัดออกไปและหนังยังดำเนินเรื่องอย่างที่เป็นอยู่ Looking for Eric ก็น่าจะเป็นหนังฟีลกู้ดที่อบอุ่นที่สุดเรื่องหนึ่งของปีเลยทีเดียว
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