Fra Angelico : was a Dominican friar in the monastery at Fiesole.
friar [N] พระในคริสตศาสนานิกายโรมันคาทอลิก, See also: นักบวชในคริสตศาสนานิกายโรมันคาทอลิก
Fra Giovanni became the preeminent painter of remarkable altarpieces and other religious works in Tuscany for nearly 30 years. Called "pictor angelicus" or "Angelic Painter" shortly after his death in 1455, this title was later translated into English as Fra Angelico.
Fra Angelico ท่านเป็นบาทหลวงคุณพ่อ คณะ โดมินิกันชื่อGuido or Guidolino Guido di Piero
ฟรา แองเจลิโก ( Fra Angelico ) เกิดเมื่อประมาณปี ค.ศ.1395 ใน Vicchio di Mugello และเสียชีวิตที่ Rome ใน ปี 1455 เขาเป็นพระโรมันคาทอลิคในนิกายโดมินิกันซึ่งมีนามว่า Guido di Piero ในปี 1420-22 เขาได้แสดงฝีมือของเขาเป็นครั้งแรกที่ the convent of San Domenico in Fiesole
The Maestà (Madonna enthroned) with Saints Cosmas and Damian, Saint Mark and Saint John, Saint Lawrence and three Dominicans, Saint Dominic, Saint Thomas Aquinas and Saint Peter Martyr; San Marco, Florence.
San Marco, Florence,The Day of Judgement, predella panel to surmount an altarpiece showing the precision, detail and colour required in a commissioned work.
The Transfiguration showing the directness, simplicity and restrained palette typical of these frescoes. In a monk's cell at the Convent San' Marco, its apparent purpose is to encourage private devotion
Source://thummada.com/php_upload/angel58.jpg
ชื่อภาพ San Marco Altarpiece: The Beheading of Cosmas and Damian. c. 1439-1442. Tempera on panel. 36 x 46 cm. Louvre, Paris, France
Source://thummada.com/php_upload/angel37.jpg
ชื่อภาพ San Marco Altarpiece Predella: detail of the Crucifixion of Saints Cosmas and Damian 1438-40
ข้อมูลและภาพจาก หนังสือ เครื่องหมายและสัญญลักษณ์ในคริสต์ศิลป์ จอร์จ เฟอร์กูสันเขียน กุลวดี มกราภิรมย์ แปล หนังสือ ศิลปนิยม ของ อารี สุทธิพันธุ์ History of Art for Young People ของ H.W. Janson and Anthony F.Janson < //www.artlex.com/ArtLex/t/tempera.html > < //www.abcgallery.com >
Vatican, Saint Lawrence receives the treasures of the Church, 1447. Expensive pigments, gold leaf and elaborate design were features of Vatican commissions.
ชื่อภาพ Saint Lawrence Receiving the Treasures of the Church from Pope Sixtus II c. 1450s Fresco Chapel of Nicholas V, Vatican Palace ของ Fra Giovanni da Fiesole ความหมายของภาพนี้ นักบุญลอเรนซ์ เกิดที่เมือง เฮวสกา ประเทศสเปน และได้เข้าเฝ้าพระสันตะปาปาซิกซ์ตุสที่ 2 ที่เมืองนี้ พระสันตะปาปาประทับใจจึงพาท่านไปโรมด้วย และแต่งตั้งให้เป็นอัครสังฆานุกรมแห่งศาสนจักร มีหน้าที่ดูแลสมบัติของศาสนจักร
Fra Angelico (Italian, ca. 1390/95-1455) Eighteen Blessed of the Dominican Order, ca. 1420-24 Tempera on panel Overall, 12 5/8 x 9 in.; picture surface 12 1/2 x 8 5/8 in. The National Gallery, London, United Kingdom
มองอีกมุม ของคนมองศิลปะง่า มองแบบ Pope Pop
Last month I made several trips to the Fra Angelico exhibition at the Met, The exhibition is now over but the link above to the Met has some images and information on the catalog.
One of my favorite paintings was The Last Judgment: Paradise, (1435-40, Tempera on panel, 40-1/2 x 11-1/8 in.) The painting is a difficult size 40.5 x 11 inches or 3.6 to 1 height to width ratio. Tall and skinny might not be so bad for an abstract painting or one with just a single image but "Paradise" has 32 figures in it. I was talking with a couple from Philadelphia about the composition, about how geometrically structured it looked. Yesterday, still curious about this, I took a closer look and made a diagram of the composition.
Legend: Left: The panels height is divided by 1/2 and 1/4 and the diagonals. Mid: The cyan lines are the 1/3-2/6 divisions and the diagonals. The blue lines are the 1/5 divisions. Right: The yellow lines are squares with the height equal to the panels width. The arcs are a method used to geometrically construct the golden section (1.618)
I found the paintings surprisingly modern looking, Pope Pop. Source://futuremodern.blogspot.com/2006/02/fra-angelico-paradise.html
Tomb of Fra Angelico, Santa Maria sopra Minerva, Rome.
Fra Angelico was beatified by Pope John Paul II in 1982.
Angelico was reported to say "He who does Christ's work must stay with Christ always". This motto earned him the epithet "Blessed Angelico", because of the perfect integrity of his life and the almost divine beauty of the images he painted, to a superlative extent those of the Blessed Virgin Mary.
Pope John Paul II
From various accounts of Fra Angelico's life, it is possible to gain some sense of why he was deserving of canonization. He led the devout and ascetic life of a Dominican friar, and never rose above that rank; he followed the dictates of the order in caring for the poor; he was always good-humored. All of his many paintings were of divine subjects, and it seems that he never altered or retouched them, perhaps from a religious conviction that, because his paintings were divinely inspired, they should retain their original form. He was wont to say that he who illustrates the acts of Christ should be with Christ. It is averred that he never handled a brush without fervent prayer and he wept when he painted a Crucifixion. The Last Judgment and the Annunciation were two of the subjects he most frequently treated.
William Michael Rossetti[11]
[edit] Liqueur Fra Angelico's fame has been commemorated by the Italian hazelnut liqueur Frangelico, which is named in his honour. It is shipped in a bottle shaped like a monk's habit with a rope belt round the waist
Orchestra and four vocal Choir - *Latin* Recorded for the Anniversary of the Pope Benedict XVI April 19 This is the Anthem of the Vatican City. The Songs are called Inno e Marcia Pontificale ...
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