Wheat Field, 1881 Claude Monet (French 1840-1926) 25 7/16" x 31 7/8" Oil on Canvas The Cleveland Museum of Art, Gift of Mrs Henry White Cannon, 1947.197.
hin that small photographers studio on the Boulevard des Capucines was the most vibrant, most modern exhibition Paris had ever seen. (Old Claude Monet)
Monet: Madam, if my work is beyond your commprehension, what good would it do me to paint here? Alice Hoschede: Please give me time. Whatever you paint here, I shall learn to cherish.
What's the matter? What is it? Sit down ... sit down. (Monet to Camille)
The trains were halted, the platforms cleared. For several hours, I, station master Monet, had the freedom of the Gare Saint-Lazare. (Old Caude Monet)
My poor wife gave up the struggle this morning at half-past ten after the most ghastly suffering. I am in a state of distress, finding myself alone with my poor children. (Letter from Claude Monet to Georges de Bellio, 5th September 1879)
at could be more natural than to preserve the last image of a person who's about to leave you ... for ever? The painter first, then the husband. (Old Claude Monet)
In those days, Degas was a great friend to us all. That was before the rot set in. (Old Claude Monet)
That morning, I leapt out of bed to capture that moment. The light changes constantly. A sunrise must be painted as it happens - it's a race against time. How long did I have? 30 minutes at most, maybe only 10! Sweeping washes of paint ... thin fluid bands ... a swift foundation ... (Old Claude Monet on 'Impression: Sunrise')
I want reality! I've just seen the future and d'you know something? You're not in it! ( Claude Monet to Charles Gleyre)
Make sure that I look really ill. Use cobalt blue and cadmium orange for the bruise. (Monet to Bazille)
I'm afraid I'm going to keep you standing there for quite some time. (Monet to Camille)
I've very much wanted to meet you, sir. The future of art owes so much to you. (Monet to Manet)
Camille: Are you going to recognize this child? Because if you don't, Claude, there's nothing else to say to each other. Monet : If I stay with you,my father will cut me off. I'll get nothing.
The very first day I met Bazille, he was a true friend. He gave what he had. He would have made a name for himself. (Old Claude Monet)
It must have looked idyllic - my family, the water, the light. But not everything was as it seemed. You don't know what money is until you don't have it; you don't know what a family is until you do. (Old Claude Monet)
Renoir: Life as it's being lived, right in front of our eyes. Monet : That's what we paint.
Monet: You know, we can never go back from this moment.
Our group was about to go its separate ways. Whether we liked it or not, it wasn't going to be the same again. (Old Claude Monet)
Monet: Please let me write to Hoschede. Alice: To say what? Monet: That I love you, that you love me. [...] Alice: I won't divorce him, Claude! You know that - I'm a catholic.
Please don't punish me for not behaving like a husband. I would very much like to behave like a husband. (Claude Monet to Alice Hoschede)
From the train, I had seen this rambling farmhouse and we were lucky. The rent was low enough that even we could afford it! (Old Claude Monet on Giverny)
Etretat is becoming more and more amazing; it's at its best now, the beach with all these fine boats, it's superb and I rage at my inability to express it all better. (Letter from Claude Monet to Alice Hoschede, 20th October, 1885).
As the light changed on the haystacks, the whole subject was transformed. And the light kept changing through the day, through different days. And I only worked on each canvas in its light, seizing just the right moment at a stroke, or that moment will be lost. (Old Claude Monet)
All my life, I have travelled, looking for something. I thought that I would find it seeing different things, but it's here ... it's here. It's in seeing the same things every day. (Young Claude Monet to Alice Hoschede)
I set up my easel in front of this body of water that contains in it all the elements of a universe, changing constantly under our very eyes. It's become an obsession! (Old Claude Monet to Francois Thiebault-Sisson)
Monet has outlived them all. Now, he is a hero, one of the most successful painters that ever lived - the father of Impressionism. We have his paintings and his garden - the fleeting moments, an impression of life. (Francois Thiebault-Sisson)
แต่จำได่ว่าครั้งแรกที่เห็นภาพของเค้า...รู้สึกจะเป็นภาพ "The Walk Lady with a Parasol" (ถ้าจำชื่อไม่ผิด) ภาพหญิงสาวชุดกระโปรงยาวสีขาวกางร่มยืนอยู่บนเนินหญ้า มีเด็กชายคนนึงยืนคล้อยอยู่ข้างหลัง มันดูฟุ้งๆดี สัมผัสได้ถึงลมพัดเบาๆบนเนินหญ้านั่นจิงๆ
Orchestra and four vocal Choir - *Latin* Recorded for the Anniversary of the Pope Benedict XVI April 19 This is the Anthem of the Vatican City. The Songs are called Inno e Marcia Pontificale ...
ผมว่าสีสดออกมาจากความประทับใจของศิลปินดี