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Drew Barrymare at her 30 by Vogue

Beauty and the beast
Drew Barrymore is a natural as the heart-strong in Vogue's vision of the classic fairy tale. And as John Powers writes, this beguiling survivor is really beginning to bloom.Photographed by Annie Leibovitz.

คัดลอกบทย่อมาจากVogue Feature Story ฉบับเดือนเมษายน 2005
เรื่อง: John Powers
ภาพ: Annie Leibovitz


Left: Christian Lacroix Haute Couture barely blushed crepeline, organza, and tulle dress embroidered with a crystal branch and knotted in blackberry velvet.


It's a lazy Sunday evening, and Drew Barrymore and I are sitting in Mel's Drive-In, a hangout on the Sunset Strip. I know I should be asking about her upcoming romantic comedy Fever Pitch, or how she's flying off to Vegas to make Lucky You, a new Curtis Hanson movie that will show her to be a serious actress, or what it's like for the perennially youthful star to turn 30.


Above:A Thorny Problem
Beauty finds herself captive in the Beast's palace when she selflessly offers herself up to save her father from the Beast's almighty wrath. [Her father's crime: picking a rose for his daughter from the Beast's garden.] Chanel Haute Couture gray beaded-and-beribboned dress.



I know I should be asking about all these things—"This is a very important time in my life," she says—but as we sit in our booth, listening to Sam Cooke sing "You Send Me," I can't stop myself from bringing up the thing staring me right in the face: the fact that she's so, well, thin.



Below:A Feast for the Eyes
Every night, the Beast proposed marriage to Beauty, but she refused him again and again. Christian Lacroix Haute Couture dress with gold lace petticoat.




"I guess I am," she says, looking down. "I was out the other night and somebody said, 'If you'd put on a little weight you'd look like … Drew Barrymore.'"



Above:A Haunting Melody
The Beast adorned Beauty with the finest robes and jewels. Here, Barrymore wears a Dior Haute Couture by John Galliano ivory Empire dress with gold beadwork and a large bow on the shoulder.



Below:Through the Looking Glass
"It's quite a shame that the Beast is so ugly," sighed Beauty, "for he is so good." Chanel Haute Couture white satin dress with beaded lace overlay and Alice-blue ribbons.




She gives a delighted laugh.

At 30, Barrymore is no longer the daffy-sweet girl we all think we know. As she enters a new decade, she clearly sees herself moving into a new stage of her life. And the most vivid symbol of this change is her slim new body: "Can you lose baby fat," she asks, "at 30?"





Above:A Dark Horse
She wouldn't leave the gentle Beast alone long. Dior Haute Couture by John Galliano strapless white gauze dress and coat with exaggerated cuffs and collar and heavy gold embroidery.



The first time we meet, we have a date to go hiking in Hollywood's Runyon Canyon, but when I pull up to our rendezvous, all I see is this svelte young beauty in a pair of flamboyant, aqua-hued sunglasses you might expect to find on Austin Powers's girlfriend. That can't be her, I think. After all, I've been watching Barrymore since she was six-year-old Gertie in E.T. (she's been making movies longer than Sean Penn!), and this woman has none of the ripe fleshiness that once led a leading New York film critic to cruelly rebuke her for being overweight. Then she turns and I see the silhouette of that famous Barrymore chin.


Below:Midnight in the Garden
"I thought I felt only friendship toward you," cried Beauty, "but I see that I love you." Christian Lacroix Haute Couture voluminously ruffled dress with pink and purple chiffon layers.






In this story: fashion editor, Grace Coddington; hair, Julien d'Ys; makeup, James Kaliardos for L'Oréal.
"Beauty and the Beast" by John Powers has been edited for Style.com; the complete story appears in the April 2005 issue of Vogue.
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