Bridesmaids is poised to be a female version of The Hangover... Well, it aint. It didn't have same DNA, nor bears any resemblance to that film. It has the biggest laugh and, surprisingly, plenty of heart. And it certainly is the best Judd Apatow-produced film to date.
Bridesmaids has a sitcom setup, in which thirty-something (and single) Annie (Kristen Wiig) must join force with other bridesmaids to organize her best friend Lillians (Maya Rudolph) wedding. But much like Apatow's Knocked Up, it successfully built relatable characters on a simple premise. Especially how they conveyed Annies desperation at her singlehood, friendship, jealousy, and eventually breakdown, and didnt forget to laugh along with it.
This is the first (and long-deserved) lead role for talented comedian like Kristen Wiig. And she guided us through her characters emotional journey in such a revelation way. Of course her comedic moment is guaranteed to generate a lot of laugh, like incident on the plane (even though it kind of made me cringe). But what made Annie even more interesting character is the scene where she attended brides baby shower, which made me completely relate to her.
Beside Kristen Wiig, real breakout star is Melissa McCarthy, who stole the show like Zach Galifianakis did to The Hangover. Except this is much more rewarding, as her character start out like a caricature (the fat one). But the film slowly subverts our impression, as she gains depth as the most selfless member of the bridesmaids. And making us realized that you cant receive your own happiness unless you make one by yourself.
But of course, youre most likely coming here to have a good time. And indeed it delivered (like the utterly gross but hilarious scene, involving several bodily fluids, which made me literally ROFL). Bridesmaids doesnt patronize females perspective about wedding (Sex And The City and Bride Wars come to mind). It is the mash-up of a chic flick, a romantic comedy and a raunchy comedy, balancing the contribution from each genre so successfully.
PS. Kudos to films secret weapons: sleazy hilarious John Hamm and Rose Burnes, whom I best described as "likable bitch".
Oh I skipped this one for Cars2 (which was not what I expected, but I enjoyed it anyway). Reading ur review makes me wanna go see it right now since it's so hard to find a good comedy these days.
You could have brain tumor by watching this contaminated turd. Nothing in Gentlemen Broncos pays off, it’s incoherent mess, and chock-full of incredibly annoying characters. You will not only loath this movie, but it also makes you want to punch someone who responsible for this abomination in the face.
BloodyMonday Rating:
Fantastic Mr. Fox (2009)
Imagine if Akira got Live-Action treatment by... say Alfonso Cuarón, you know how awesome it might be? That’s what happened to "Fantastic Mr. Fox". Wes Anderson's auteur perfectly captured the quirkiness and blissful tone of the material. Its stop-motion technique might be a little crude and... somewhat unsophisticated, but that's the charm of it. You’ll feel like pop-up book unveiled before your eyes. This is an exceptional animation of the year.
Up in the Air is a blockbuster movie for people who think blockbuster movies are dumb, as it chock full of brilliantly written dialogue, and acting showcase for three talented actors (especially star-making turn by Anna Kendrick). But in the end, there's little to love, not so much story to chew on (plus disappointing third act), and no real connection to the meaning of human interaction as it intended to be.
BloodyMonday Rating:
I Love You, Beth Cooper (2009)
Cliché-ridden plot about a bunch of annoying characters get together in one idiotic circumstance, "I Love You, Beth Cooper" is shameless exploitation & biggest insult to 80s teen flicks. It's like memorizing magic trick from internet, hoping to perform like David Copperfield. Neither sense of wonder nor magic flare happens here. Only good thing is, it makes me wanna cleanse my soul with genuine 80s teen movie night marathon.
BloodyMonday Rating:
Everybody's Fine (2009)
Meh. The movie serious lack of originality & characters development. Only Robert De Niro comes out fine in this schmaltzy, "Lifetime" movie-of-the-week plot.
BloodyMonday Rating:
Paper Heart (2009)
Twee delight... That's only two words I can think of right now.
BloodyMonday Rating:
Adam (2009)
A perfect companion to Mary & Max (one of the best animation of 2009), Adam is star-crossed love story (pun intended) between Adam, Asperger's Syndrome bearer, and Beth, free spirit woman. The picture wouldn’t be this intimate without stunning performance by Hugh Dancy. On the other hand, the lack of depth on why Beth would love someone like Adam, preventing me from wholeheartedly embraces her choice in the end (which is nice & perfect but requires a leap of faith). Otherwise, this is touching romantic film, which putting its feet firmly on the ground, making the world full of hope and seems nicer place to live.
BloodyMonday Rating:
The Invention of Lying (2009)
Expected to be like “Click” or “Yes Man”, where high-concept plot turned into endless gags, with moral lesson (forcefully) shoving down your throat. But "The Invention of Lying" is thinking man’s film. The whole concept is not seeing how first lying man exploits the ability. But it's about him finding the way not to lie, in order to find genuine happiness. Great stuff.
BloodyMonday Rating:
Give ‘Em Hell Malone (2009)
This is one damn frustrating experience. It’s like watching an infant trying to stand up and walk. They would take a few steps then fall their asses. In fact, kiddie film like “Bugsy Malone” has done better job paying a tribute to film noir than this borefest.
BloodyMonday Rating:
Zombieland (2009)
ถ้าอังกฤษมีหนังซอมบี้ฮาแตกอย่าง Shaun of the Dead แล้ว ทำไมอเมริกาจะมีบ้างไม่ได้... Zombieland คือการผสมผสานระหว่างบรรดาหนังซอมบี้เก่าๆ เข้ากับทัศนคติของคนสร้างที่อาจดูหนังแนวนี้มากเกินความจำเป็น จนสามารถสร้างหนังซอมบี้ที่เข้าใจสิ่งที่ตัวเองเป็น และเล่นสนุกไปกับกฏพื้นฐานของซอมบี้ได้อย่างเต็มที่ ทั้งนี้ทั้งนั้นต้องยกความดีให้สี่นักแสดงนำ โดยเฉพาะ วู้ดดี้ ฮาเรลสัน (เขาเกิดมาเพื่อบทนี้) ที่ช่วยกันสร้างมนต์เสน่ห์ ให้กับการเดินทางในโลกไร้มนุษย์ได้อย่างเต็มที่
หนังมีไอเดียกิ๊บเก๋ ทำออกมาได้สนุกสนานสไตล์ซิตคอมอังกฤษ โดยเฉพาะการนำกฏเหล็กต่างๆจากหนังที่เกี่ยวกับการท่องเวลา (ดูเหมือนว่า Back to the Future จะเป็นแรงบรรดาลใจหลัก) มาปู้ยี้ปู้ยำอย่างเมามัน ถึงแม้ว่าตลอดเวลาการรับชมจะให้ความรู้สึก เหมือนตัวเองกำลังดูซีรี่ย์ทางโทรทัศน์ แต่มันก็คือตอนที่ฮาที่สุดของซีซั่น แถมเอฟเฟ็คที่ใช้ก็มีคุณภาพจนคาดไม่ถึง
BloodyMonday Rating:
Looking for Eric (2009)
มีความรู้สึกว่าหนังเรื่องนี้มองโลกในแง่ดีเกินบรรยากาศโดยรวม จริงอยู่ว่าทุกสิ่งทุกอย่างที่ลงเอยด้วยดีในตอนสุดท้ายนั้น สามารถสร้างความสุขและรอยยิ้มให้กับคนดู แต่จากสถานการณ์ในเรื่องและบริบทที่เกิดขึ้นก่อนหน้านี้ มันยากที่จะทำใจเชื่อในสิ่งที่เห็น โดยเฉพาะพล็อตรองเกี่ยวกับปืน ซึ่งถ้าถูกตัดออกไปและหนังยังดำเนินเรื่องอย่างที่เป็นอยู่ Looking for Eric ก็น่าจะเป็นหนังฟีลกู้ดที่อบอุ่นที่สุดเรื่องหนึ่งของปีเลยทีเดียว
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